Portland

Concert Review: Kassa Overall at Mississippi Studios

Original image of Stas Thee Boss, Bendji Allonce and Kassa Overall by There Stands the Glass.

A modified stage dive during Kassa Overall’s appearance at Mississippi Studios on Saturday, August 26, affirmed jazz’s historic mutability. The euphoric 75-minute performance also clarified the ambitious artist’s intent.

Once a drummer for elite artists like the late Geri Allen, Overall is committed to expanding the sound associated with Kendrick Lamar’s groundbreaking 2015 album To Pimp a Butterfly. Overall’s current tour focuses on material from his latest release Animals.

Joined by soprano saxophonist Tomoki Sanders, pianist Ian Finkelstein, bassist Giulio Xavier Cetto and percussionist Bendji Allonce, Overall drummed and rapped with wild abandon. An expansion of the interpolation of “This Train (Is Bound for Glory)” heard on “I Know You See Me” was among the selections in which the quintet breathed new life into old forms.

Stas THEE Boss, a musician best known as a member of the Seattle group ThEESatisfaction, joined the band for a hypnotic rendition of "Tried It". Yet even the pieces that presented as hip-hop possessed unmistakable jazz foundations. Finkelstein’s playing in particular rendered genre distinctions meaningless.

As for that stage dive: after indicating the audience of about 250 should part, Sanders leapt from the stage and ran through the club. Scrambling back, bounced off the lip of the stage and exited again. As a percussion workout climaxed, Sanders hurled himself onto the stage. Punk rockers- as well as everyone who embraces the ongoing evolution of jazz- should be impressed.

August 2023 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for a recent production of Il Signor Bruschino at Rossini at Wildbad by There Stands the Glass.

Top Ten Albums of August

1. Karol G- Mañana Será Bonito (Bichota Season)

Pop perfection.

2. Jaimie Branch- Fly Or Die Fly Or Die Fly Or Die (world war)

This ain’t no picnic.

3. Jonathan Blake- Passage

My review.

4. Bonnie “Prince” Billy- Keeping Secrets Will Destroy You

Spill the beans.

5. Grupo Frontera- El Comienzo

A celebratory debut.

6. Arnold Dreyblatt- Resolve

Classical grit.

7. Evan Parker- Etching the Ether

My review.

8. Miguel Zenón y Luis Perdomo- El Arte del Bolero, Vol. 2

Transcendent duo.

9. Bobby Rush- All My Love for You

He’s the one.

10. Ratboys- The Window

Heartland rock.



Top Ten Songs of August

1. L’Rain- “Pet Rock”

Heavy.

2. Turnstile and Badbadnotgood- “Underwater Boi”

Aqualung.

3. Noname with $ilkmoney, Billy Woods and Stout- “gospel?”

Fight song.

4. Kirk Franklin- “Try Love”

The gospel truth.

5. Armand Hammer with Elucid, Billy Woods and Pink Siifu- “Trauma Mic”

Crisis of faith.

6. Earl Sweatshirt, The Alchemist and Mike- “Sentry”

Drowsy.

7. Snoh Aalegra- “Wait a Little Longer”

Patience.

8. Doja Cat- "Paint the Town Red"

Walk on by.

9. Miguel and Lil Yachty- “Number 9”

Pet sounds.

10. EST Gee with Yo Gotti- “A Moment with Gotti”

Time stands still.



Top Ten Performances of August

1. Kassa Overall and Omari Jazz at Mississippi Studios

My Instagram clip.

2. Parker Quartet at Polsky Theatre

My review.

3. Randy Porter, Tom Wakeling and Todd Strait at the 1905

My review.

4. Truth Cult, Young Mvchetes and Burning Bush at Howdy

My review.

5. The Clientele and Papercuts at Mississippi Studios

My review.

6. Culture Club, Howard Jones and Berlin at Starlight Theatre

My review.

7. The Phil Collins Experience at Barkley Square

My review.

8. Jass at Second Presbyterian Church

My Instagram clip.

9. Claes Almroth Trio at Starday Tavern

My Instagram snapshot.

10. Rich Hill Trio and True Lions at Volker Park

My Instagram snapshot.



The previous monthly survey is here.

Concert Review: The Clientele and the Papercuts at Mississippi Studios

Original image of the Clientele by There Stands the Glass.

I didn’t make any friends in the line to the bathroom at the conclusion of performances by The Clientele and Papercuts at Mississippi Studios on Tuesday, August 22.

My assessments- “those songs weren’t bangers, they were bummers!” and “instead of party-starters, we heard party-enders!”- didn’t go over with fans of the morose bands.

As with the other 300 people in the Portland venue, I bought a $20 ticket because I’m partial to British sad boy bops like "Bonfires on the Heath". Unlike the humorless devotees, I think it’s funny that all of us chose to wallow in misery.

The lavish production of the Clientele’s gorgeous new album I Am Not There Anymore led me to believe the core members of the British band would be supplemented by additional musicians. I was wrong.

Rough and lean, the Clientele sounded little like its refined recordings. And never having previously seen the band, Alasdair MacLean’s guitar shredding came as a shock.

Papercuts was an ideal opening act. The group’s downcast jangle-pop reminded me of my affinity for the style 40 years ago. A rendition of “John Brown” felt like a faded postcard from my Kansas home.

Blame It On My (Sonic) Youth

After being buffeted by frigid winds and crisp sunlight while traipsing on the soft sand of an Oregon beach for several hours last Sunday, I recovered by sinking into a couch with Evan Parker’s latest release for Intakt Records.

Mentally settled and bodily exhausted, I experienced all 50 minutes of Etching the Ether without a single distraction or chemical enhancement. Completely immersed in sound, I was transported to an elevated dimension.

How did I get there? Most people never acquire a taste for improvised new music, but I consume the often harsh form as if it were candy. A moment on Live in Brooklyn 2011, a new release documenting Sonic Youth’s final concert in the United States, supplies a clue.

Thurston Moore, the loudest member of one of the most transformative bands of my youth, informs the audience that Weasel Walter is slated to perform at the concert’s afterparty at The Stone. The name-check affirms the connection between Sonic Youth’s art-punk free jazz.

The aside also brought me full circle. Since performing with a group including local standout Seth Davis in Kansas City last year, Weasel Walter is featured on the exhilarating March release Branches Choke. Etching the Ether is even better. 

The quartet of Parker (soprano saxophone), Peter Evans (trumpets), Matthew Wright (electronics) and Mark Nauseef (percussion) draw on the most refined developments from Tokyo, Philadelphia and the International Space Station. As Sonic Youth might put it, it’s a late-life riot.

May 2023 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of Glyndbourne’s production of Don Giovanni by There Stands the Glass.

Top Ten Albums of May

1. Rudy Royston’s Flatbed Buggy- Day

Bumpy ride.

2. Billy Woods and Kenny Segal- Maps

The right direction.

3. Shirley Collins- Archangel Hill

Time out of mind.

4. Joe Lovano, Marilyn Crispell and Carmen Castaldi- Our Daily Bread

Holy communion.

5. Roomful of Teeth- Rough Magic

My review.

6. Atmosphere- So Many Other Realities Exist Simultaneously

Atmosphere finally made a good record.

7. Kassa Overall- Animals

Pigs on the wing.

8. Béla Fleck- As We Speak

With Zakir Hussain, Edgar Meyer and Rakesh Chaurasia.

9. Slowspin- Talisman

Hounds of love.

10. Rod Fleeman- Saturday Afternoon Live at Green Lady Lounge, Vol. 2

My review.


Top Ten Songs of May

1. Megan Maroney- “Kansas Anymore”

Getting out of Dodge.

2. Kevin Morby- “Going to Prom”

Time the revelator.

3. That Mexican OT featuring Paul Wall and Drodi- "Johnny Dang"

Ice.

4. Paris Texas- "Bullet Man"

Who shot ya?

5. SleazyWorld Go with Polo G- “Off the Court”

Trust the process.

6. Peso Pluma- "Bye"

I say hello.

7. Speakers Corner Quartet featuring Kae Tempest- "Geronimo Blues"

Stump speech.

8. Sparks- "Gee, That Was Fun"

Au revoir.

9. $uicideboy$- “Realism vs Idealism”

No limit.

10. Lil’ Keke- "Motion"

OG.


Top Ten Performances of May

1. Tim Bernardes at Mississippi Studios

My review.

2. Yujia Shen at Diastole Scholars Center

My review.

3. Off!, Upchuck and Weaponize Chomsky at recordBar

My Instagram clips are here, here and here.

4. Bonnie “Prince” Billy and Michael Hurley at Aladdin Theater

My review.

5. Hot Chip and Cadence Weapon at Wonder Ballroom

My Instagram clips are here and here.

6. Janet Jackson and Ludacris at T-Mobile Center

My Instagram image.

7. Stone & Sue at the Portland Farmers Market

My Instagram clip.

8. Rod Fleeman Trio at Green Lady Lounge

My Instagram clip.

9. Drew Williams Quartet at Westport Coffee House

My review.

10. Luke Tarter at Portland International Airport

Elton John melodies unnerved me amid flight delays.


The previous monthly survey is here.

Concert Review: Michael Hurley and Bonnie “Prince” Billy at the Aladdin Theater

Original image by There Stands the Glass.

I was momentarily startled when I spotted Will Oldham, aka Bonnie "Prince" Billy, at the 2018 edition of the Cropped Out festival.  The singer-songwriter wasn’t on the bill of the sorely missed Louisville festival, but he took in a magical set by Michael Hurley on the bank of the Ohio River.

Five years later, I was once again in the presence of both men at Portland’s Aladdin Theater on Monday, May 15.  I seemed to enjoy Hurley’s opening set more than any of the other 500 people in the audience.

My loud guffaws during the wildly tasteless "Ms. Petty Blues" elicited stares.  A subtle environmental protest song caused tears to well in my eyes.  Allusions to back doors and fresh pies were frequent.

Hurley’s wry humor invoked Furry Lewis while his devil-may-care nature caused him to resemble Mississippi John Hurt.  In spite of the slightly intrusive and entirely unnecessary accompaniment of a second musician, Hurley, 81, is a dynamic force in peak form.  I was bowled over.

Oldham made a gracious concession during his headlining performance: “The elephant in the room is Michael Hurley.”  It takes nothing away from Oldham to acknowledge that Hurley owned the evening.

Concert Review: Tim Bernardes at Mississippi Studios

Original image by There Stands the Glass.

Jazz artists such as Eliane Elias and metal bands including Sepultura aside, I can count the number of Brazilian acts I’ve heard perform on one hand.  I added Tim Bernardes to my pathetically short list on Saturday, May 13.  Partly because he echoes the música popular brasileira of the 1970s, Mil Coisas Invisíveis was my #14 album of 2022.  I confirmed Bernardes has the voice of an angel during the solo concert.  The event was a rare opportunity for me to carouse in the presence of the Brazilians who made up the majority of the audience of about 250.  Do I dare dream of seeing Gilberto Gil one day?

The Top Fifty Performances of 2022

Original image of Blackstarkids by There Stands the Glass.

I’ve gone out to hear live music 123 times in 2022. I’m not done yet- I plan to hit a couple gigs this evening. Even without attending a single festival, I’ve taken in more than 225 performances this year. And yes, wise guys, I’ve been the oldest person in the room at a third of the shows listed below. You can’t blame a person for trying to make up for lost time. Unless indicated otherwise, the events took place in the Kansas City area.

1. Nduduzo Makhathini at the Blue Room

Review.

2. Joyce DiDonato at the Folly Theater

Review.

3. Little Joe y La Famalia at the Guadalupe Center

Review.

4. Logan Richardson + Blues People at the Ship

Review.

5. Blackstarkids at recordBar

Review.

6. Angela Winbush, Men at Large and Levelle at Juneteenth KC

Review.

7. Godspeed You! Black Emperor at the Roseland Theater (Portland)

Review.

8. Samantha Ege at the Folly Theater

Review.

9. Sparks at the Crystal Ballroom (Portland)

Review.

10. Flatland Cavalry at the Truman

Review.


11. Daniil Trifonov at the Folly Theater

Review.

12. Lucibela at Old Church Concert Hall (Portland)

Review.

13. Show Me the Body, Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

Review.

14. FKJ and Ohma at the Midland theater

Review.

15. Livia Nestrovski and Henrique Eisenmann at the 1900 Building

Review.

16. Salvation Choir at Theis Park

Review.

17. Algara, P.S.Y.W.A.R. and New Obsessions at Farewell

Review.

18. Sheku Kanneh-Mason and Isata Kanneh-Mason at the Folly Theater

Instagram photo.

19. Animal Collective and Spirit of the Beehive at the Truman

Review.

20. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House

Review.

21. Porridge Radio and Blondshell at Doug Fir Lounge (Portland)

Instagram clip.

22. Black Crack Revue at Westport Coffee House

Review.

23. High Pulp at recordBar

Review.

24. Escuela Grind at Farewell

Review.

25. Phillip Greenlief, Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

Review.

26. Steve Cardenas, Forest Stewart and Brian Steever at recordBar

Review.

27. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

Review.

28. Arnold Young and the RoughTet at the Ship

Instagram clip.

29. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

Review.

30. John Hiatt and Lyle Lovett at the Uptown Theater

Review.


31. Bob Bowman and Peter Schlamb at Second Presbyterian Church

Review.

32. Mspaint at Nightjar

Instagram clip.

33. Babehoven at Farewell KC

Instagram clip.

34. UMKC’s Conservatory’s “Cosi Fan Tutte” at White Recital Hall

Instagram photo.

35. Live Skull and Still Ill at recordBar

Review.

36. Crystal Gayle at Ameristar Casino

Review.

37. Evan Verploegh and Ben Baker at World Culture

Review.

38. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

Instagram photo.

39. Cuong Vu and Ted Poor at Jack London Revue (Portland)

Review.

40. Ozomatli at KC Live

Instagram clip.


41. Gorillaz and EarthGang at the Moda Center (Portland)

Review.

42. Escher String Quartet at Polsky Theatre

Review.

43. Damien Sneed at the Folly Theater

Review.

44. John Waite at Ranch Mart Shopping Center

Instagram clip.

45. William Baker Singers at Grace & Holy Trinity Cathedral

Review.

46. Raven Chacon at Agnes Arts

Review.

47. Rod Fleeman at Green Lady Lounge

48. Ducks Ltd. at the Green House

Instagram clip.

49. Billy Cobham at Dolores Winningstad Theatre (Portland)

Review.

50. Roger Waters at the T-Mobile Center

Review.

September 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of Sondra Radvanovsky in the trailer of the Metropolitan Opera’s production of Cherubini’s “Medea” by There Stands the Glass.

Top Ten Albums of September

1. Sarah Davachi- Two Sisters

Ecumenical drones.

2. Caroline Shaw and Attacca Quartet- Evergreen

A Mozart among us.

3. James Brandon Lewis- Molecular Systematic Music

Live mutations.

4. Julian Lage- View with a Room

With Bill Frisell, Jorge Roeder and Dave King.

5. Charles Lloyd- Trios: Ocean

Celestial trio with Gerald Clayton and Anthony Wilson.

6. Laura Jurd- The Big Friendly Album

Howdy.

7. Ohma- Between All Things

My review.

8. Billy Woods- Church

Unanswered prayers.

9. Jeff Parker, Eric Revis and Nasheet Waits- Eastside Romp

No ordinary guitar trio.

10. Björk- Fossora

Ridiculously good or just ridiculous?



Top Ten Songs of September

1. Mister Water Wet- "Caged at Last"

Everything at once, sparingly.

2.. Santigold- "Ushers of the New World"

I prefer to stand, thank you.

3. Channel Tres- "No Limit"

A slick shocker.

4. M.I.A.- "Beep"

Bop.

5. LCD Soundsystem- “New Body Rhumba”

Workout.

6. Stormzy- "Mel Made Me Do It"

An old-school tour de force.

7. Smino featuring J. Cole- "90 Proof"

Strong.

8. Little Big Town- "Three Whiskeys and the Truth"

Fleetwood Mac sounds better than ever.

9. Kany García and Christian Nodal- "La Siguiente"

Romantic duet.

10. Clutch- "Three Golden Horns"

Clutch is my favorite novelty act.



Top Ten Concerts of September

1. Blackstarkids- recordBar

My review.

2. Lucibela- Old Church Concert Hall

My review.

3. Algara, P.S.Y.W.A.R. and New Obsessions- Farewell

My review.

4. Porridge Radio and Blondshell- Doug Fir Lounge

My Instagram video.

5. Live Skull- recordBar

My review.

6. Ozomatli- KC Live

My Instagram video.

7. Gorillaz and EarthGang- Moda Center

My review.

8. Billy Cobham- Dolores Winningstad Theater

My review.

9. Roger Waters- T-Mobile Center

My review.

10. The Shins and Joseph- Pioneer Courthouse Square

Temporarily displaced unhoused people were not pleased.



Last month’s survey is here.

Concert Review: Billy Cobham at Dolores Winningstad Theatre

Original image by There Stands the Glass.

I paid $45 for the best seat in a spectacular venue on Thursday, September 15.  The sound field for a band led by an iconic innovator was perfect.  I anticipated a fiery volcano. Instead, I heard the sonic equivalent of a scented candle.

The funk-free 90-minute performance by the jazz fusion titan Billy Cobham’s Crosswinds Project wasn’t what I had in mind.  The drummer’s best work from the 1970s is dangerous and exhilarating.  Thursday’s outing was safe and ordinary.

Cobham, 78, is still an athletic presence.  Yet along with guitarist Mark Whitfield, keyboardist Scott Tibbs and bassist Tim Landers, he played with a clinical precision intended to please the gearheads and technicians in the audience of about 300.