The Top Fifty Performances of 2022

Original image of Blackstarkids by There Stands the Glass.

I’ve gone out to hear live music 123 times in 2022. I’m not done yet- I plan to hit a couple gigs this evening. Even without attending a single festival, I’ve taken in more than 225 performances this year. And yes, wise guys, I’ve been the oldest person in the room at a third of the shows listed below. You can’t blame a person for trying to make up for lost time. Unless indicated otherwise, the events took place in the Kansas City area.

1. Nduduzo Makhathini at the Blue Room

Review.

2. Joyce DiDonato at the Folly Theater

Review.

3. Little Joe y La Famalia at the Guadalupe Center

Review.

4. Logan Richardson + Blues People at the Ship

Review.

5. Blackstarkids at recordBar

Review.

6. Angela Winbush, Men at Large and Levelle at Juneteenth KC

Review.

7. Godspeed You! Black Emperor at the Roseland Theater (Portland)

Review.

8. Samantha Ege at the Folly Theater

Review.

9. Sparks at the Crystal Ballroom (Portland)

Review.

10. Flatland Cavalry at the Truman

Review.

11. Daniil Trifonov at the Folly Theater

Review.

12. Lucibela at Old Church Concert Hall (Portland)

Review.

13. Show Me the Body, Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

Review.

14. FKJ and Ohma at the Midland theater

Review.

15. Livia Nestrovski and Henrique Eisenmann at the 1900 Building

Review.

16. Salvation Choir at Theis Park

Review.

17. Algara, P.S.Y.W.A.R. and New Obsessions at Farewell

Review.

18. Sheku Kanneh-Mason and Isata Kanneh-Mason at the Folly Theater

Instagram photo.

19. Animal Collective and Spirit of the Beehive at the Truman

Review.

20. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House

Review.

21. Porridge Radio and Blondshell at Doug Fir Lounge (Portland)

Instagram clip.

22. Black Crack Revue at Westport Coffee House

Review.

23. High Pulp at recordBar

Review.

24. Escuela Grind at Farewell

Review.

25. Phillip Greenlief, Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

Review.

26. Steve Cardenas, Forest Stewart and Brian Steever at recordBar

Review.

27. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

Review.

28. Arnold Young and the RoughTet at the Ship

Instagram clip.

29. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

Review.

30. John Hiatt and Lyle Lovett at the Uptown Theater

Review.

31. Bob Bowman and Peter Schlamb at Second Presbyterian Church

Review.

32. Mspaint at Nightjar

Instagram clip.

33. Babehoven at Farewell KC

Instagram clip.

34. UMKC’s Conservatory’s “Cosi Fan Tutte” at White Recital Hall

Instagram photo.

35. Live Skull and Still Ill at recordBar

Review.

36. Crystal Gayle at Ameristar Casino

Review.

37. Evan Verploegh and Ben Baker at World Culture

Review.

38. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

Instagram photo.

39. Cuong Vu and Ted Poor at Jack London Revue (Portland)

Review.

40. Ozomatli at KC Live

Instagram clip.

41. Gorillaz and EarthGang at the Moda Center (Portland)

Review.

42. Escher String Quartet at Polsky Theatre

Review.

43. Damien Sneed at the Folly Theater

Review.

44. John Waite at Ranch Mart Shopping Center

Instagram clip.

45. William Baker Singers at Grace & Holy Trinity Cathedral

Review.

46. Raven Chacon at Agnes Arts

Review.

47. Rod Fleeman at Green Lady Lounge

48. Ducks Ltd. at the Green House

Instagram clip.

49. Billy Cobham at Dolores Winningstad Theatre (Portland)

Review.

50. Roger Waters at the T-Mobile Center

Review.

October 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of Opera North’s reworking of Monteverdi’s “L’Orfeo” by There Stands the Glass.

Top Ten Albums of October

1. Natalia Lafourcade- De Todas las Flores

Rapturous beauty.

2. Bobby Watson- Back Home in Kansas City

My review.

3. Brian Harnetty- Words and Silences

My review.

4. Dave Douglas- Songs of Ascent: Book 1- Degrees

Advanced harmolodics.

5. Boston Modern Orchestra Project- Anthony Davis: X: The Life and Times of Malcolm X

A new rendering of the neglected opera.

6. Anat Cohen- Quartetinho

Exquisite chamber jazz.

7. Evgueni Galperine- Theory of Becoming

A Ukrainian Morricone.

8. Armani Caesar- The Liz 2

The month’s best Griselda album.

9. Babyface- Girl’s Night Out

Sultry collaborations.

10. Caroline Shaw and I Giardini- The Wheel

I prefer this hushed recording to the widely praised The Blue Hour.

Top Ten Songs of October

1. Plains- "Hurricane"

Leveled.

2. Grupo Marca Registrada and Luis R. Conriquez- "Puro Campeón"

A true champion.

3. iLe- "Lo Que Yo Quería"

Celestial pop.

4. Ozuna featuring El Cherry Scom- "Perreo y Dembow"

Dizzying.

5. Quavo and Takeoff- "Two Infinity Links"

I’m 250 pages into Joe Coscarelli’s Rap Capital.

6. Jamila Woods- "Boundaries"

Blurred lines.

7. LF System- "Hungry (For Love)"

Famished on the dance floor.

8. SleazyWorld Go featuring G Herbo- “Glitches”

Shots fired.

9. Nardo Wick featuring Polo G- "G Nikes"

If the shoe fits…

10. Hardy- "Truck Bed"

Hick-hop goes pop-punk.

Top Ten Performances of October

1. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

My review.

2. Ohma and FKJ at the Midland Theater

My review.

3. Raven Chacon’s “American Ledger no. 1” at Agnes Arts

My review.

4. Lyle Lovett and John Hiatt at the Uptown Theater

My review.

5. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

My review.

6. Alter Destiny at Charlotte Street Foundation

My review.

7. Karen Hsiao Savage, Hyeyung Sol Yoon and Gregory Beaver at White Recital Hall

My review.

8. Stan Kessler, Rod Fleeman and Bob Bowman at a driveway concert

Three of Kansas City’s best on a glorious fall afternoon.

9. Esthesis Quartet at the Blue Room

My Instagram clip.

10. Alex Mallett and Jeff Harshbarger at Market at Meadowbrook

Folklore.

Last month’s survey is here.

Concert Review: Orquestra Sinfônica do Estado de São Paulo conducted by Marin Alsop at Helzberg Hall

Original image by There Stands the Glass.

I can’t recall the last time I had so much unadulterated fun at the Kauffman Center for the Performing Arts in Kansas City.  Overseen by the unassuming star conductor Marin Alsop, Orquestra Sinfônica do Estado de São Paulo did away with the veil of pretension that too often stifles joy at Helzberg Hall on Monday, October 10.

With the artificial construct of high culture eradicated, the Brazilians’ elite renderings of compositions by Heitor Villa-Lobos and Nikolai Rimsky-Korsakov could be appreciated without the default filter of stodgy formality.  From my perch in the least expensive seat ($38.50!) high above the stage, I had a bird’s eye view of how exceptional artists can thrive in the absence of the haughty affectations associated with traditional concert halls.

Only “Concerto for Harmonica and Orchestra, Op. 86” and José Staneck’s subsequent encore of “The Girl from Ipanema”- ugh, a bane of my existence!- didn’t fully succeed.  As is usually the case in the room, the sound of the amplified instrument died before it reached the cheap seats.  An invigorating reading of the ear-tickling “Scheherazade” after intermission made up for the lapse.

The 1,600-capacity room was half full. The low turnout heightened the sense of relaxed intimacy. During a post-concert chat, Clark Morris, the Executive and Artistic Director of the Harriman-Jewell Series, cited a concurrent professional football game as the reason for the empty seats. Alsop responded with words to live by: “with music, you always win.”