The Top Fifty Performances of 2022

Original image of Blackstarkids by There Stands the Glass.

I’ve gone out to hear live music 123 times in 2022. I’m not done yet- I plan to hit a couple gigs this evening. Even without attending a single festival, I’ve taken in more than 225 performances this year. And yes, wise guys, I’ve been the oldest person in the room at a third of the shows listed below. You can’t blame a person for trying to make up for lost time. Unless indicated otherwise, the events took place in the Kansas City area.

1. Nduduzo Makhathini at the Blue Room

Review.

2. Joyce DiDonato at the Folly Theater

Review.

3. Little Joe y La Famalia at the Guadalupe Center

Review.

4. Logan Richardson + Blues People at the Ship

Review.

5. Blackstarkids at recordBar

Review.

6. Angela Winbush, Men at Large and Levelle at Juneteenth KC

Review.

7. Godspeed You! Black Emperor at the Roseland Theater (Portland)

Review.

8. Samantha Ege at the Folly Theater

Review.

9. Sparks at the Crystal Ballroom (Portland)

Review.

10. Flatland Cavalry at the Truman

Review.

11. Daniil Trifonov at the Folly Theater

Review.

12. Lucibela at Old Church Concert Hall (Portland)

Review.

13. Show Me the Body, Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

Review.

14. FKJ and Ohma at the Midland theater

Review.

15. Livia Nestrovski and Henrique Eisenmann at the 1900 Building

Review.

16. Salvation Choir at Theis Park

Review.

17. Algara, P.S.Y.W.A.R. and New Obsessions at Farewell

Review.

18. Sheku Kanneh-Mason and Isata Kanneh-Mason at the Folly Theater

Instagram photo.

19. Animal Collective and Spirit of the Beehive at the Truman

Review.

20. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House

Review.

21. Porridge Radio and Blondshell at Doug Fir Lounge (Portland)

Instagram clip.

22. Black Crack Revue at Westport Coffee House

Review.

23. High Pulp at recordBar

Review.

24. Escuela Grind at Farewell

Review.

25. Phillip Greenlief, Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

Review.

26. Steve Cardenas, Forest Stewart and Brian Steever at recordBar

Review.

27. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

Review.

28. Arnold Young and the RoughTet at the Ship

Instagram clip.

29. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

Review.

30. John Hiatt and Lyle Lovett at the Uptown Theater

Review.

31. Bob Bowman and Peter Schlamb at Second Presbyterian Church

Review.

32. Mspaint at Nightjar

Instagram clip.

33. Babehoven at Farewell KC

Instagram clip.

34. UMKC’s Conservatory’s “Cosi Fan Tutte” at White Recital Hall

Instagram photo.

35. Live Skull and Still Ill at recordBar

Review.

36. Crystal Gayle at Ameristar Casino

Review.

37. Evan Verploegh and Ben Baker at World Culture

Review.

38. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

Instagram photo.

39. Cuong Vu and Ted Poor at Jack London Revue (Portland)

Review.

40. Ozomatli at KC Live

Instagram clip.

41. Gorillaz and EarthGang at the Moda Center (Portland)

Review.

42. Escher String Quartet at Polsky Theatre

Review.

43. Damien Sneed at the Folly Theater

Review.

44. John Waite at Ranch Mart Shopping Center

Instagram clip.

45. William Baker Singers at Grace & Holy Trinity Cathedral

Review.

46. Raven Chacon at Agnes Arts

Review.

47. Rod Fleeman at Green Lady Lounge

48. Ducks Ltd. at the Green House

Instagram clip.

49. Billy Cobham at Dolores Winningstad Theatre (Portland)

Review.

50. Roger Waters at the T-Mobile Center

Review.

April 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot from the trailer of the Metropolitan Opera’s staging of Terence Blanchard’s “Fire Shut Up in My Bones” by There Stands the Glass. PBS broadcast the opera on April 1.

Top Ten Albums (Released in April, excluding 4/29 titles)

1. Pusha T- It’s Almost Dry

The trio of Kanye, Pharrell and King Push is an unbeatable dream team.

2. Gerald Clayton- Bells on Sand

My review.

3. Billy Woods- Aethiopes

Highbrow hip-hop.

4. Tord Gustavsen Trio- Opening

My review.

5. Myra Melford- For the Love of Fire and Water

The pianist leads a free jazz supergroup.

6. Joel Ross- The Parable of the Poet

Palpably spiritual jazz.

7. Mitsuko Uchida- Beethoven: Diabelli Variations

My review.

8. Sault- Air

My review.

9. Cole Swindell- Stereotype

My review.

10. Vince Staples- Ramona Park Broke My Heart

Understated excellence.

Top Ten Songs (Released in April)

1. Miranda Lambert- "Actin' Up"

Call the cops.

2. Kaitlin Butts- "She's Using"

Codeine dreams.

3. Christian Nodal- "Aguardiente"

Poison.

4. Bonnie Raitt- "Love So Strong"

Kombucha for the soul.

5. Horace Andy- "Watch Over Them"

Reggae lion in winter.

6. Anitta featuring Chencho Corleone- "Gata"

The cat’s pajamas.

7. Young M.A.- “Tip the Surgeon”

Bloody.

8. Doechii- "Crazy"

Time to get right with God.

9. Lele Pons and Kim Loaiza- "Piketona"

Clubbed.

10. Making Movies- "Sala de los Pecadores"

Den of sin.

Top Ten Performances of April

1. Joyce DiDonato at the Folly Theater

My review.

2. Daniil Trifonov at the Folly Theater

My review.

3. Drew Williams, Ben Tervort and Brian Steever at Westport Coffee House

My review.

4. Babehoven at Farewell

My Instagram clip.

5. Kwan Leung Ling, Evan Verploegh and Ben Baker at Charlotte Street Foundation

My Instagram clip.

6. Ducks Ltd. at the Green House

My Instagram clip.

7. Maul at Vivo

My Instagram clip.

8. Tyrone Clark, Charles Gatschet and Taylor Babb- Green Lady Lounge

The venue’s all-originals policy is paying off.

9. Jeff Harshbarger Quartet at the Blue Room

Standards deviations.

10. A Pile of Dead Horses at 7th Heaven

Fargo noise.

Last month’s survey is here.

Concert Review: Daniil Trifonov at the Folly Theater

Original image by There Stands the Glass.

Possession of a deeply discounted ticket for Daniil Trifonov’s April 24 concert at the Folly Theater helped sustain me in the bleakest moments of the pandemic.  I’d been looking forward to the pianist’s twice-rescheduled recital for a long time.  I can’t speak for others in the audience of about 700, but the misguided calls for a boycott- Trifonov was born in Russia- meant nothing to me.

The first half of the concert exceeded my lofty expectations.  The 45-minute free-for-all was the most exciting performance I’ve heard in 2022.  Hunched over the piano and panting heavily, Trifonov lurched as if he was enduring electrical shocks during a rendering of Karol Szymanowski’s discordant Sonata No. 3, Op. 36.

Trifonov then teased out unexpectedly jarring aspects of Claude Debussy’s Pour le piano L. 95.  Even better was a riotous interpretation of Sergei Prokofiev’s avant-garde Sarcasms, Op 17.  The pianist’s revelatory approach implied the three composers anticipated the subsequent innovations of Pierre Boulez, John Cage and Cecil Taylor.

I correctly anticipated the second half of the concert- Johannes Brahms’ Piano Sonata No. 3- would be a letdown.  My indifference to Brahms remains intact even though Trifonov invested everything he had into the work.  As he sweat profusely while abusing a piano bench, I contemplated my good fortune to be seated 20 feet from one of the world’s foremost musicians.

Album Review: Gerald Clayton- Bells On Sand

Bells on Sand probably wouldn’t have meant much to me had it been released five years ago. Gerald Clayton’s spare song cycle might have struck me as overly fragile. Yet my sonic world expanded during the pandemic. In addition to developing a taste for drones and noise, I grasped the previously elusive appeal of European composers such as Frédéric Chopin, Claude Debussy and Maurice Ravel. Clayton’s sensitive interpretations of Federico Mompou’s compositions- the second and third tracks on Bells On Sand- set the contemplative tone for Clayton’s new album for Blue Note Records. I’d been only vaguely familiar with the Spanish composer through recordings by the likes of pianist Daniil Trifinov. Some may call me soft, but I’m pleased with my enhanced sensibility.

October 2021 Recap: A Monthly Exercise in Critical Transparency

Screenshot of The Fugitive Kind by There Stands the Glass.

Top Ten Albums (released in October)

1. Fire-Toolz- Eternal Home

A noise supreme.

2. Lana Del Rey- Blue Banisters

Now That’s What I Call Adult Contemporary!

3. Craig Taborn- Shadow Plays

Standing on the shoulders of Keith Jarrett.

4. Daniil Trifonov- Bach: The Art of Life

Living large.

5. Maxo Kream- Weight of the World

“Record deal off a pill!”

6. Charlotte Greve- Sediments We Move

My review.

7. Artifacts Trio- ...And Then There's This

Chicago’s finest.

8. Sylvie Courvoisier and Mary Halvorson- Searching for the Disappeared Hour

The pianist and guitarist clear the room.

9. Jpegmafia- LP!

A firehose of mutinous ideas.

10. Steddy P- SOS: Toxic

KC’s rapper’s convincing comeback.

Top Ten Songs (released in October)

1. Céu- “Chega Mais”

Come closer.

2. Tainy, Bad Bunny and Julieta Venegas- "Lo Siento"

Dream collaboration.

3. Orquesta Akokán- “Guajira Del Mar”

Havana.

4. Badbadnotgood- "City of Mirrors"

Deep reflections.

5. Adele- "Easy On Me"

Drowning.

6. Harriet Krijgh and Magda Amara- “Les chemins de l'amour”

The paths of love.

7. Emily D’Angelo- "A Thousand Tongues"

“Nine and ninety-nine lie.”

8. Angel Du$t with Tim Armstrong- "Dancing on the Radio"

“Like there’s no tomorrow.”

9. Conway the Machine- "Piano Love"

Tuned.

10. Remi Wolf- "wyd"

Preposterous pop.

Top Ten Concerts of October

1. Pat Metheny, James Francies and Joe Dyson- Orchestra Hall (Detroit)

My review.

2. St. Vincent- Grinders KC

My review.

3. Erykah Badu- Midland theater

My review.

4. Marc Anthony- T-Mobile Arena

My review.

5. Asleep at the Wheel- Muriel Kauffman Theatre

My review.

6. Joshua Bell and Alessio Bax- Helzberg Hall

My review.

7. Rod Fleeman- Green Lady Lounge

The guitarist’s weekly matinee is among my favorite things in Kansas City.

8. Flooding- Vinyl Underground

My review.

9. Jeff Kaiser, Kevin Cheli and Seth Davis- Charlotte Street Foundation

My review.

10. Everyday Strangers- Gem Theater

My Instagram clip.

Top Ten Films (viewed for the first time in October)

1. The Fugitive Kind (1960)

My new favorite movie.

2. Höstsonaten/Autumn Sonata (1978)

Excruciating generational trauma.

3. The Emperor Jones (1933)

Paul Robeson in an adaptation of Eugene O’Neill’s play.

4. Where East is East (1929)

Lon Chaney, Estelle Taylor and Lupe Vélez don't need sound.

5. Mamma Roma (1962)

The continuation of the decline and fall.

6. Flesh and the Devil (1927)

Greta Garbo as femme fatale.

7. Hollywood Barn Dance (1947)

Walkin’ the floor with Ernest Tubb.

8. SAS: Red Notice (2021)

Precisely what I want from a big, dumb action flick.

9. The Seventh Victim (1943)

Kim Hunter confronts a satanic cult in Greenwich Village.

10. The 100-Foot Journey (2004)

Amuse-bouche.

September’s recap and links to previous monthly surveys are here.

Molto Agitato

Original image by There Stands the Glass.

I attempted to sleep in a different room in my home last night. The slight variances in the hum, buzz and whoosh of appliances, wind, passing vehicles and furnace were just different enough to forestall sleep.  Much as I was thrown off by the ambient noise, I’m obsessed with the varied sonic textures of three solo piano recordings released in the first couple weeks of 2021.

The splashy sound of Behzod Abduraimov’s Debussy Chopin Mussorgsky resembles a raging torrent on the precipice of a waterfall.  The more conventional sound field of Beethoven: Piano Sonatas, a compelling new recital by MinJung Baek, possesses the resonance of a concert hall.  The treated instrument played by Raffaele Grimaldi on John Cage: In a Landscape/Dream/Haiku sounds more like a harp than a piano on “Dream.”  Elsewhere, the 21-minute EP emphasizes the manipulated components of the apparatus.

Jason Moran further advances pianistic evolution on his forthcoming solo album The Sound Will Tell You by applying “a filter to allow the sound (to) cast a shadow” on some tracks.  The wealth of possibilities inherent in the seemingly staid instrument remains staggering.  I intend to have sweet dreams about the only live ticket I’m holding: a fourth-row center seat I purchased at a steep discount for a rescheduled Daniil Trifonov concert in 2022.

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I review Blob Castle’s La Tierra Se Está Doblando at the Kansas City jazz blog Plastic Sax.