March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Concert Review: Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff at Helzberg Hall

Original image by There Stands the Glass.

I joined more than 1,000 concert-goers at the last of three de facto coronation ceremonies at Helzberg Hall on Sunday, March 24. Matthias Pintscher, the incoming Music Director of The Kansas City Symphony, appears to be a talented, benevolent and humble potentate.

Prior to the performance, the audience was told that Pintscher was mourning the death of his mentor Peter Eötvös. The distressing news raised the stakes for a vibrant reading of Leonard Bernstein’s Symphonic Dances from ‘West Side Story’.

Composer Errollyn Wallen was in the house for the world premiere of her Violin Concerto. I couldn’t discern the hushed passages played by guest artist Philippe Quint from my seat in the rafters.

Charles Ives’ loopy “Three Places in New England” was my favorite piece. I sense the subversive programing is an indication of Pintscher’s plans for the Symphony. Aside from the prominence of a saxophone, Sergei Rachmaninoff’s “Symphonic Dances” didn’t do much for me.

All tickets were $37 for the concerts billed as “Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff”. Having gladly made the investment, I’m eager to evaluate the responses to Pintscher’s oversight of the Symphony at three European concerts in August. Here’s to fresh starts and new beginnings.

Opera Review: Lyric Opera of Kansas City’s Roméo et Juliette at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The last vestiges of skepticism left my mind during the fourth act of Charles Gounod’s “Roméo et Juliette” on Sunday, March 17. Only then was I willing to acknowledge that I was taking in a very good production. 

Even from my $39 seat in the back row of Muriel Kauffman Theatre I was moved by the chemistry between Ben Bliss and Andriana Chuchman. Most of the voices successfully traversed the vast space between the stage and my remote location. 

Compelling visuals were complemented by conspicuous direction that allowed me to track the action without opera glasses. And The Kansas City Symphony sounded more than serviceable.

I’ve misspent my time and money on a few disappointing nights with Lyric Opera of Kansas City. It may not have been particularly fashionable or fresh, but the production of “Roméo et Juliette” was grand opera done right.

Concert Review: Joyce DiDonato at Helzberg Hall

Original image by There Stands the Glass.

Deanna Ray Eberhart fangirled during her session at a master class conducted by Joyce DiDonato at Helzberg Hall on Thursday, January 11. Rather than responding appropriately to a vocal example provided by DiDonato, Eberhart exclaimed something like “hearing that up close is so cool!”

I completely sympathize with Eberhart. DiDonato, the iconic international star from Prairie Village, Kansas, was my 2022 Artist of the Year. DiDonato’s innovation approach has been a key component of my gradual embrace of operatic music. Her magnificent voice is among my favorite instruments.

I spent $39 for a lousy seat high above the stage during the first of DiDonato’s three concerts with the Kansas City Symphony on Friday, January 12. Yet for a moment I felt something akin to Eberhart’s experience. Due to an odd acoustical effect, the first offstage missive made by DiDonato in her dramatic entrance to Charles Ives’ ethereal “The Unanswered Question” seemed as if it had been whispered directly into my ear.

Nothing else in the lengthy program equaled the Ives, although a rendition of Gustav Mahler’s "Ich bin der Welt abhanden gekommen" appeared to be excellent from my dicey location. I also relished DiDonato’s separate encores of Strauss’ “Morgen!” and sappy but heartrending readings of “Danny Boy” and “Shenandoah”.

I won’t include my opinions about the remainder of the program here, other than to note intriguing new pieces by Joel Thompson and Chen Yi and Zhou Long were performed. Rather than splurging on a good seat for the two repeat performances this weekend, I might binge on a few of the hours of previous DiDonato master classes online.

November 2021 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Valerie a týden divů by There Stands the Glass.

Top Ten Albums (released in November)

1. Irreversible Entanglements- Open the Gates

My review.

2. Summer Walker- Still Over It

Number one with a bitterness.

3. Malcolm Jiyane Tree-O- Umdali

Valiant South African jazz.

4. Brian Wilson- At My Piano

Tragic beauty.

5. Attacca Quartet- Of All Joys

Partly Pärt.

6. Terrace Martin- Drones

Flying high above Silk Sonic.

7. Robert Plant and Alison Krauss- Raise the Roof

An old-fashioned barn burner.

8. Cevanne Horrocks-Hopayian- Welcome Party

Knock knock.

9. Anna Netrebko- Amata dalle tenebre

Aching arias.

10. Anuel AA- Las Leyendas Nunca Mueren

Legends never die.

Top Ten Songs (released in November)

1. Willie Nelson- "Too Sick to Pray"

On bended knee.

2. Del McCoury Band- "Once Again"

That high, lonesome sound.

3. Earl Sweatshirt- "2010"

Don’t call it a comeback.

4. City Girls- "Scared"

“Ain’t no way I’m stopping.”

5. The Bug featuring Jason Williamson- "Treetop"

Out on a limb.

6. Idles- "Stockholm Syndrome"

Brainwashed.

7. Frogpond- "I Really Don't Care"

Meat-and potatoes heartland rock.

8. NRBQ- "I Like Her So Much"

Still ticking.

9. Adele with Erroll Garner- "All Night Parking"

The best song on 30.

10. Cécile McLorin Salvant- "Ghost Song"

Spectral.

Top Ten Concerts of November

1. J.D. Allen, Eric Revis and Nasheet Waits- Blue Room

My review.

2. Oleta Adams with Isaac Cates & Ordained- Old Mission United Methodist Church

My review.

3. Mary Gauthier- Knuckleheads

4. UMKC Opera’s “Acis and Galatea”- White Recital Hall

My review.

5. Dare- 7th Heaven

My Instagram clip.

6. Rod Fleeman Trio- Green Lady Lounge

7. The Kansas City Symphony’s “Coming to America”- Helzberg Hall

8. Renée Fleming- Helzberg Hall

9. Richard Thompson- Folly Theater

My review.

10. Sentenced 2 Die- 7th Heaven

My Instagram clip.

Top Ten Movies (viewed for the first time in November)

1. Popiół i diament/Ashes and Diamonds (1958)

Bloody Polish power grab.

2. La Strada/The Road (1954)

Giulietta Masina and Anthony Quinn convey crippling sadness.

3. Der junge Törless/Young Törless (1966)

Unflinching teen brutality.

4. Sparrows (1926)

Mary Pickford leads escape from foul baby farm.

5. De Slag om de Schelde/The Forgotten Battle  (2020)

World War II in Holland is hell.

6. Valerie a týden divů/Valerie and Her Week of Wonders (1970)

Frightfully freaky fairy tale.

7. Taking Tiger Mountain (1983)

A very bad trip.

8. The Harder They Fall (2021)

Wild, wild west(ern).

9. La bestia debe morir/The Beast Must Die (1952)

Argentinian noir.

10. Arsène Lupin (1932)

Sexy criminal caper.

October’s recap and links to previous monthly surveys are here.

Concert Review: The Kansas City Symphony’s Mobile Music Box at the Jewish Community Center of Greater Kansas City

Original image by There Stands the Glass.

Several hours after news broke that an instrument of evil died in prison seven years after murdering two people at the Jewish Community Center of Greater Kansas City as part of a hateful rampage, a life-affirming concert was held on the grounds of the same site on Tuesday, May 4.

Limited to an audience of 100, the free outdoor concert by three young musicians from the Kansas City Symphony provided a vastly superior experience to my initial foray into live music in the post-quarantine era.  Given the glorious weather and tranquil atmosphere, I wasn’t surprised to see a robin refuse to abandon a tree planted in a parking lot median even though a pair of loudspeakers were placed directly under its nest.

The amplification of the 45-minute performance on the symphony’s mobile stage added an unavoidably metallic but not unpleasant edge to works by the likes of Johann Sebastian Bach and Zoltán Kodály.  Tears of joy soon dripped into my facemask.  In spite of the disconcerting coughs and sneezes of a couple seated nearby, I was overcome with gratitude for merely being alive to savor the immortal flare of a Ludwig van Beethoven string trio.

A yellow finch joined the steadfast robin during a lively reading of an arrangement of a gospel-inspired piece by Adolphus Hailstork.  The transitory symbol of a harmonious world signaled that good repeatedly triumphs over evil, beauty is more powerful than ugliness and the resilience of a loving community is capable of overcoming unimaginable horror.