March 2023 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Deutsche Oper Berlin’s production of Richard Strauss’ Arabella by There Stands the Glass.

Top Ten Albums of March

1. JPEGMAFIA and Danny Brown- Scaring the Hoes

Noise devolution.

2. Morgan Wallen- One Thing at a Time

My review.

3. Cécile McLorin Salvant- Mélusine

Peculiar chansons.

4. Eddie Chacon- Sundown

Quiet storm.

5. London Brew- London Brew

Restorative.

6. Slowthai- Ugly

Life is hard.

7. Willie Nelson- I Don’t Know a Thing About Love: The Songs of Harlan Howard

Nor do I.

8. Laura Schuler Quartet- Sueños Paralelos

My review.

9. MSPAINT- Post-American

Punk progression.

10. Wadada Leo Smith- Fire Illuminations

Conflagration.

Top Ten Songs of March

1. Shay Lia- "Takutá'"

Hopscotch.

2. RP Boo- "B.O.T.O."

Fancy footwork.

3. Baaba Maal- "Freak Out"

Chic.

4. Kassa Overall featuring Nick Hakim and Theo Croker- "Make My Way Back Home"

Prodigal.

5. Meshell Ndegeocello- "Virgo"

Back to the stars.

6. Moor Mother- "We Got the Jazz"

From strength to strength.

7. Las Marias- "Ismael"

Spring has sprung.

8. EST Gee- “Pray You Die in Surgery”

Cursed.

9. Sleaford Mods featuring Perry Farrell- "So Trendy"

Shouty.

10. Atmosphere- "Bigger Picture"

The relentless march of time.

Top Ten Concerts of March

1. Ghais Guevara, Tricky Youth, Student 1, Midwestern, Tabby, Defo, Laaee Uzumak and Young Mvchetes at Farewell and Howdy

My review.

2. Boston Camerata’s “Dido & Aeneas” at Community Christian Church

My Instagram photo.

3. Bill Frisell at 1900 Building

My impressions.

4. Artemis at the Gem Theater

My review.

5. Austin Plaine, Katie Toupin and the Pinkerton Raid at the Monarch (Louisville)

My Instagram clip.

6. CRAG Quartet, Joshua Gerowitz with Vinny Golia and the Extemporaneous Music and Arts Society of Kansas City at the Bunker Center for the Arts

My review.

7. Cynthia van Roden at the Market at Meadowbrook

My Instagram photo.

8. Te Deum’s “Solemn Vespers” at St. Mary’s Episcopal Church

My Instagram photo.

9. Electronic Music Midwest Festival at Kansas City Kansas Community College (concerts one, five and eight)

My review.

10. Kristina Gaddy, Nadia Ramlagan and Blakeley Burger at Carmichael’s Bookstore (Louisville)

My Instagram clip.

The previous monthly survey is here.

Festival Review: Electronic Music Midwest

Original image by There Stands the Glass.

Free admission.  Set changes of two minutes or less.  Superlative surround sound.  Attentive audiences.  Comfortable seating.  There was a lot to like about the Electronic Music Midwest’s festival at Kansas City Kansas Community College on March 10 and 11.

I treated the event as a low-key approximation of the post-genre Big Ears Festival as I attended the first, fifth and eighth of the festival’s eight concerts.  The absence of star power and brief sets were the only liabilities.  

I was previously familiar with only a couple of the performers.  And there wasn’t much time to get to know them.  Most outings were between five and 15 minutes.

My understanding is that all of the festival’s participants are affiliated with academic institutions.  Consequently, the industrial rock was congenial, the beats were civil, the screaming was artful and the sound collages were crisp.

The genteel decorum meant that everything presented was quite good, but few offerings felt revolutionary.  The deployment of motion-activated gametrack controllers by Xinglan Deng and Sunhuimei Xia in separate demonstrations were wondrous exceptions.  

I also admired Heather Pryse’s fusion of flute, voice and electronics.  Nathan Krueger’s rendering of Ed Martin’s hilarious aria “The Future” was similarly striking. Alas, the festival will be held in the Chicago area next year.  It’s tempting.